<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Nashville Arts Magazine &#187; NEWS</title>
	<atom:link href="http://nashvillearts.com/category/news/feed/" rel="self" type="application/rss+xml" />
	<link>http://nashvillearts.com</link>
	<description>Nashville&#039;s Source for All Things Creative</description>
	<lastBuildDate>Wed, 01 Feb 2012 21:04:11 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.2.1</generator>
		<item>
		<title>Steve Forbert</title>
		<link>http://nashvillearts.com/2012/02/01/steve-forbert/</link>
		<comments>http://nashvillearts.com/2012/02/01/steve-forbert/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 16:04:26 +0000</pubDate>
		<dc:creator>NashvilleArtsTeam</dc:creator>
				<category><![CDATA[NEWS]]></category>

		<guid isPermaLink="false">http://nashvillearts.com/?p=13683</guid>
		<description><![CDATA[<strong>Every Picture Tells A Story</strong>
<p></p>
<p>&#8220;You can say, man, it&#8217;s just a fireplug,&#8221; says steve Forbert. &#8220;But aren&#8217;t they all unusual?&#8221; They actually are, though most folks in and out of the art world find fireplugs about as unusual as&#8230; <a href="http://nashvillearts.com/2012/02/01/steve-forbert/" class="read_more"></a></p>]]></description>
		<wfw:commentRss>http://nashvillearts.com/2012/02/01/steve-forbert/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>To See As Artists See</title>
		<link>http://nashvillearts.com/2012/02/01/to-see-as-artists-see/</link>
		<comments>http://nashvillearts.com/2012/02/01/to-see-as-artists-see/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 15:52:47 +0000</pubDate>
		<dc:creator>NashvilleArtsTeam</dc:creator>
				<category><![CDATA[NEWS]]></category>

		<guid isPermaLink="false">http://nashvillearts.com/?p=13657</guid>
		<description><![CDATA[American Art from The Phillips Collection  at the Frist Center for the Visual Arts
<p>Among the great American museums, only a handful reflect the singular aesthetic vision of their founders: the Frick Collection in New York, the Barnes Collection in Merion, Pennsylvania, and the Phillips Collection  in&#8230; <a href="http://nashvillearts.com/2012/02/01/to-see-as-artists-see/" class="read_more"></a></p>]]></description>
		<wfw:commentRss>http://nashvillearts.com/2012/02/01/to-see-as-artists-see/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Jim and Janet Ayers</title>
		<link>http://nashvillearts.com/2012/02/01/jim-and-janet-ayers/</link>
		<comments>http://nashvillearts.com/2012/02/01/jim-and-janet-ayers/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 15:52:11 +0000</pubDate>
		<dc:creator>NashvilleArtsTeam</dc:creator>
				<category><![CDATA[NEWS]]></category>

		<guid isPermaLink="false">http://nashvillearts.com/?p=13651</guid>
		<description><![CDATA[ Private Collection &#124; Public Vision
<p></p>
<p>To work with Jim and Janet ayers is to work with two forces of nature. They are each focused and dedicated to every enterprise they take on. Collectively, when one of their enterprises takes on life as&#8230; <a href="http://nashvillearts.com/2012/02/01/jim-and-janet-ayers/" class="read_more"></a></p>]]></description>
		<wfw:commentRss>http://nashvillearts.com/2012/02/01/jim-and-janet-ayers/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Publisher&#8217;s Note &#124; February 2012</title>
		<link>http://nashvillearts.com/2012/02/01/publishers-note-february-2012/</link>
		<comments>http://nashvillearts.com/2012/02/01/publishers-note-february-2012/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 15:51:29 +0000</pubDate>
		<dc:creator>NashvilleArtsTeam</dc:creator>
				<category><![CDATA[NEWS]]></category>

		<guid isPermaLink="false">http://nashvillearts.com/?p=13645</guid>
		<description><![CDATA[Art Creates a City
<p>Two fabulous exhibits kick off the busy February art scene. The Phillips Collection from Washington, D.C., opens February 3 at the Frist Center for the Visual Arts with works by Rothko, Homer, Hopper, and Gottlieb, among others. Please check&#8230; <a href="http://nashvillearts.com/2012/02/01/publishers-note-february-2012/" class="read_more"></a></p>]]></description>
		<wfw:commentRss>http://nashvillearts.com/2012/02/01/publishers-note-february-2012/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Visions of Villarreal</title>
		<link>http://nashvillearts.com/2012/02/01/visions-of-villarreal/</link>
		<comments>http://nashvillearts.com/2012/02/01/visions-of-villarreal/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 15:50:30 +0000</pubDate>
		<dc:creator>NashvilleArtsTeam</dc:creator>
				<category><![CDATA[NEWS]]></category>

		<guid isPermaLink="false">http://nashvillearts.com/?p=13648</guid>
		<description><![CDATA[<p>If the creative fervor of youth, stylistic appreciation of antiquity, and existential propensity for introspection were to unite on canvas, the results would likely resemble the works of twenty-four-year-old artist Jesús Villarreal. Luckily for us, Villarreal recognizes the fortuitous outcome when he assumes the dual roles of&#8230; <a href="http://nashvillearts.com/2012/02/01/visions-of-villarreal/" class="read_more"></a></p>]]></description>
		<wfw:commentRss>http://nashvillearts.com/2012/02/01/visions-of-villarreal/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Kathleen O&#8217;Brien &#124; Looks at the Year Ahead</title>
		<link>http://nashvillearts.com/2012/02/01/kathleen-obrien-looks-at-the-year-ahead/</link>
		<comments>http://nashvillearts.com/2012/02/01/kathleen-obrien-looks-at-the-year-ahead/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 15:47:41 +0000</pubDate>
		<dc:creator>NashvilleArtsTeam</dc:creator>
				<category><![CDATA[NEWS]]></category>

		<guid isPermaLink="false">http://nashvillearts.com/?p=13654</guid>
		<description><![CDATA[<p>Tennessee Performing arts Center President and CeO Kathleen O’brien has steered the non-profit arts organization through changes to its business model that have included expansion of the board of directors, the move to independent ticketing, and independent presenting of broadway tours. She’s also overseen record-breaking ticket sales and&#8230; <a href="http://nashvillearts.com/2012/02/01/kathleen-obrien-looks-at-the-year-ahead/" class="read_more"></a></p>]]></description>
		<wfw:commentRss>http://nashvillearts.com/2012/02/01/kathleen-obrien-looks-at-the-year-ahead/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Direct Metal &#124; The Art of Victor Schmidt</title>
		<link>http://nashvillearts.com/2012/02/01/direct-metal-the-art-of-victor-schmidt/</link>
		<comments>http://nashvillearts.com/2012/02/01/direct-metal-the-art-of-victor-schmidt/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 15:42:59 +0000</pubDate>
		<dc:creator>NashvilleArtsTeam</dc:creator>
				<category><![CDATA[NEWS]]></category>

		<guid isPermaLink="false">http://nashvillearts.com/?p=13660</guid>
		<description><![CDATA[<p></p>
<p>Victor schmidt’s studio is in the May hosiery Mill—built in 1940, deco brick and stone on the outside, offices and shop space on the inside, well used but still solid after seven decades. Victor leads me down dark halls and up stairs, past tiers&#8230; <a href="http://nashvillearts.com/2012/02/01/direct-metal-the-art-of-victor-schmidt/" class="read_more"></a></p>]]></description>
		<wfw:commentRss>http://nashvillearts.com/2012/02/01/direct-metal-the-art-of-victor-schmidt/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>NPT Guide &#124; February 2012</title>
		<link>http://nashvillearts.com/2012/02/01/npt-guide-february-2012/</link>
		<comments>http://nashvillearts.com/2012/02/01/npt-guide-february-2012/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 15:41:14 +0000</pubDate>
		<dc:creator>NashvilleArtsTeam</dc:creator>
				<category><![CDATA[NEWS]]></category>

		<guid isPermaLink="false">http://nashvillearts.com/?p=13666</guid>
		<description><![CDATA[Click here to view the full NPT Guide for February 2012!
<p></p>
]]></description>
		<wfw:commentRss>http://nashvillearts.com/2012/02/01/npt-guide-february-2012/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>John Wood &amp; Paul Harrison Conquer the World</title>
		<link>http://nashvillearts.com/2012/02/01/john-wood-paul-harrison-conquer-the-world/</link>
		<comments>http://nashvillearts.com/2012/02/01/john-wood-paul-harrison-conquer-the-world/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 15:40:36 +0000</pubDate>
		<dc:creator>NashvilleArtsTeam</dc:creator>
				<category><![CDATA[NEWS]]></category>

		<guid isPermaLink="false">http://nashvillearts.com/?p=13669</guid>
		<description><![CDATA[Starting at the Frist, February 3 – May 6
<p>A British invasion arrives at the Frist Center this month as artists John Wood and Paul harrison bring their delightfully quirky perspective to the Gordon Contemporary artists Project Gallery. The duo&#8230; <a href="http://nashvillearts.com/2012/02/01/john-wood-paul-harrison-conquer-the-world/" class="read_more"></a></p>]]></description>
		<wfw:commentRss>http://nashvillearts.com/2012/02/01/john-wood-paul-harrison-conquer-the-world/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Look of Love</title>
		<link>http://nashvillearts.com/2012/02/01/the-look-of-love/</link>
		<comments>http://nashvillearts.com/2012/02/01/the-look-of-love/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 15:38:43 +0000</pubDate>
		<dc:creator>NashvilleArtsTeam</dc:creator>
				<category><![CDATA[NEWS]]></category>

		<guid isPermaLink="false">http://nashvillearts.com/?p=13686</guid>
		<description><![CDATA[From the Lens to the Heart
<p>In 1874 Alfred Lord Tennyson looked to the newly emerging art of the photograph to illustrate his epic arthurian legend, Idylls of the King. He asked his friend Julia Margaret Cameron to provide a series of photos to capture the&#8230; <a href="http://nashvillearts.com/2012/02/01/the-look-of-love/" class="read_more"></a></p>]]></description>
		<wfw:commentRss>http://nashvillearts.com/2012/02/01/the-look-of-love/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

